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Abstract
The thesis aims to apply Foucault{u2019}s concept of {u2018}power and resistance{u2019} in Antigona (1959) by Dominik Smole, Sister Son/ji (1969) by Sonia Sanchez and Sophiatown (1985) written collectively by members of the Junction Avenue Theatre Company. The concept under study will be applied as a framework to discusshow the dramatists employ the different elements of drama in presenting the conflicts of these plays, and thus, highlighting the clashes in their different cultural backgrounds like discrimination between white and black Americans in Sister Son/ji, the oppression of the ruler in former Yugoslavia in Antigona, andracial segregation between whites and other South African races in Sophiatown