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المستخلص Exchange Effect between the ceramic art of China and the contemporary European All the time period of their ingredients and indications and what distinguishes its own characteristics different from other over the centuries, although the art is the product of a combination of factors in society may be factors (religious, political, social, etc ...) which affect the arts in some way or another and when we deal with a subject of research (artistic influence of mutual between the art of Chinese ceramics and contemporary European) Note Artkazh mainly on the art of ceramics in China, Europe and the artistic influence of Chinese art is clear on the arts of the West and China is a country of ancient civilizations and ancient history spanning over seven thousand years of civilization and the arts features and special and distinctive. We are interested in this research specifically the art of distinguished his weight among the Chinese art is the art of Chinese ceramics contemporary and reached the art of the development until this time, and returns the importance of Chinese porcelain in the Chinese porcelain specific and we can point to the importance of identifying the effect of Chinese porcelain on the porcelain Europe To this effect several reasons due to the technical quality, accuracy and skill and the features of innovation and creativity in Chinese porcelain raw material distinct unique addition to the themes and ideas that dealt with Chinese artist to express through the forms and motifs found acclaim and the popularity of a human life in various parts of the world and are dealing here with Europe in particular and in the modern era have the industrial revolution 2 Summary and technological enormous progress in information and communication tools, including open cultures of the world wide in front of people, drawing what they want familiar with all the new happening in the world day by day, and when art was the impact and vulnerability, so the research is to clarify the impact of technical exchange between the art of Chinese porcelain European and contemporary. The aim of the researcher to conduct a review ceramic art of China and the EU to identify the aspects of mutual artistic influence in terms of , Differences or similarities, and in terms of technological development and the art of the contemporary ceramic art with a critical , analysis of the philosophy of form and expression and content. Search and consists of three sections, namely: Part I The Emergence Of The Concept Of Ceramic Art By Chinese Dynasties This section consists of two chapters: Chapter I: The Emergence of Chinese Ceramic Art And Ceramics Impact on Ancient Civilizations Displays a researcher in this chapter, the chronology of the Dynasties of the Chinese to know it and deal with Chinese Dynasties since the primitive and address on the forms of ceramic pots and methods of decoration and the techniques and methods of burning and the most important thing we have in this chapter cemetery Be, which contained a 7000 statue of sculpture ceramic life-size and is the cemetery of the wonders of the world and was contained chapter also to clarify the 3 Summary manifestations of the impact of the art of Chinese ceramics on ceramics of ancient civilizations and that deals with modeling clay of these civilizations and comparing models of Chinese porcelain and focused researcher on three civilizations and Arabic are Iran and Egypt and Syria. Chapter Two: The concept of form and expression and content in Chinese ceramics through the ages. And deals with the researcher in this chapter the concept of form and methods of expression and themes ceramics in Chinese Dynasties historical and that of AD and the art of porcelain with contemporary stand on the most important methods of composition and the most important techniques of ceramic techniques and also the fire. Part two The Emergence Of Ceramic Art in Europe And Understandable This section consists of two chapters: Chapter I: The Emergence of The European Ceramic Art and The Most Important Features. Deals with the researcher in this chapter the emergence of the European ceramic art and ceramic works that were in the primitive ages of Greek and Romanian, and the island of Crete with exposure to the elements of ceramic and drawing methods and types and methods of surface treatment of ceramic pots and sculptures at this time as Chapter crockery on the island of Crete and utensils for the buffalo and earthenware Brocwatik and also the eastern method of decoration and utensils and pots Hydra classical Hellenistic and Roman Red earthenware 4 Summary pots and the brilliant Celtic)) and factors that led to the Romanian Greek and Romanian art. Chapter II: The concept of form and expression and content in Contemporary Western porcelain. Chapter and clarify the concept of form and expression and content and the opinions of philosophers and the importance of the relationship between them from one another and precedence and also deals with contemporary European artists researcher and different methods of expression and methods of composition and methods of decoration and in accordance with the method and the way the artist special. Part Three Impact and vulnerability between the porcelain and ceramics of contemporary European. This section consists of three chapters: Chapter I: The Role of Modern Technology in The Development of Ceramic Art. And chapter deals with the evolution of the potter’s wheel through the ages and the shape and design of the wheel in different countries to come to the wheel and then the evolution of modern electric burning furnaces and the development of primitive and modern design of these ovens and clarify the grounds that the installation of furnaces and their advantages and how to employ them to serve the work Ceramic and control techniques in the fire. 5 Summary Chapter II: Chinese porcelain and the effect on the West Chapter deals with the impact of Chinese porcelain on European ceramics since 1914 and until today, and explain the reasons for this effect since the trade and control and domination of China since ancient porcelain ware, and the development of Chinese ceramics, European and compare them in the twentieth century dealt with models of three techniques for ceramic They are a contemporary ceramic technology Raku Pottery and ceramic crystal coating and coating Majulka and by presenting examples of contemporary artists, Europeans and Chinese. Chapter III: Models of the work of the researcher. And in this chapter presents the researcher some models ceramics carried out by using a technique Majulka as one of the techniques the European excellence and also to some forms of technology Raku Pottery and horsehair and models of sculpture ceramic Castvadp of the research topic and has adopted most of the models on the use of lining light and painting pigments colored by using brush and then paint any color technology transparent under the paint and also abrasion technique in the lining and the relief sculpture to ceramics. |